美国文学综合练习4附标答

(Chapter7-8 with answers)

I. Each of the statements below is followed by four alternative answers. Choose the one that would best complete the statement and put the letter in the brackets. 1. The beginning of the Modern Period in American literature was marked by . A. World War I B. World War II

C. the turn of the century D. the Great Depression 2. Eugene O'Neill was born the child of_________. A. wealthy London socialites B. circus folk

C. an actor D. investment bankers

3. While in his twenties, O'Neill had to be treated for__________. A. syphilis B. herpes

C. hepatitis D. consumption

4. In 1916, O'Neill chanced on a career-starting bit of luck when he met the founders of___________. A. Seattle

B. the Eugene O'Neill players C. MGM

D. the Provincetown players

5. Eugene O'Neill is considered to be____________. A. the last great American playwright B. the first great American playwright

C. the greatest American playwright of the 19th century D. the greatest British playwright of this century

6. Long Day's Journey into Night could best be described as____________. A. a short play

B. a deeply autobiographical work C. an experiment in surrealist theatre D. an experiment in extreme realism

7. Eugene O'Neill's mother was______________. A. an alcoholic B. a prostitute

C. a morphine addict D. an actress

8. Eugene's older brother was______________. A. a great poet B. a great actor C. a great writer

D. a drunken whoremonger

9. Eugene gave the play to his wife Carlotta on the occasion of_____________. A. their 12th wedding anniversary

B. his retirement C. his death

D. their first child's birth

10. Eugene O'Neill was the only American playwright to win____________. A. the Pulitzer prize B. the Van Deeken prize

C. both the Pulitzer prize and the Nobel prize D. the Nobel prize

11. In the Modern Period, many theories had great impact upon literature. They mainly include the theories of . A. Darwin’s B. Mark’s C. Freud’s D. All the above

12. Long Day's Journey into Night was performed___________. A. in 1953, in the last year of O'Neill's life B. in 1956, three years after O'Neill's death

C. in 1920, at the start of O'Neill's ascent to fame D. 1916, before O'Neill was well known

13. Yank, the protagonist of Eugene O’Neill’s play The Hairy Ape, talked to the gorilla and set it free because _________. A. he was mad, mistaking a beast for a human

B. he was told by the white young lady that he was like a beast and he wanted to see how closely he resembled the gorilla

C. he was caged with the gorilla after he insulted an aristocratic stroller D. he could feel the kinship only with the beast

14. Which of the following poems by T.S. Eliot is hailed as a landmark and a model of the 20th century English poetry?

A．Poems 1909-1925 B．The Hollow Man C．Prufrock and Other Observations D．The Waste Land

15. Ezra Pound, a leading spokesman of the ―______________‖ , was one of the most important poets in his time. A．Imagist Movement B．Cubist Movement C．Reformist Movement D．Transcendentalist Movement

16．Eugene O’Neill’s first full—length play, ______________, won him the first Pulitzer Prize. Its theme is the choice between life and death, the interaction of subjective and objective factors. A．Bound East for Cardiff B．The Hairy Ape C．Desire Under the Elms D．Beyond the Horizon

17. Strong affinity of the Chinese and Oriental literature can be found in the works of_________.

A. Mark Twain B. Ezra Pound C. Emily Dickinson D. Arthur Miller

18. Of the following American poets, whose work was first recognized in England and then in America?

A. Robert Frost B. Walt Whitman

C. Emily Dickinson D. Wallace Stevens

19. In these lines \"The apparition of these faces in the crowd; / Petals on a wet, black bough\ A. metaphor B. simile C. hyperbole D. contrast

20. O’Neill’s inventiveness seemingly knew no limits. He was constantly experimenting with new styles and forms for his plays, especially during the twenties when ______was in full swing.

A. Symbolism B. Expressionism C. Romanticism D. Realism

21. \"He got me, aw right. I’m trou. Even him didn’t tink I belonged.\" In these sentences taken from ’The Hairy Ape’, the words ―he‖ and ―him‖ both refer to__________.

A. Yank B. God

C. The ape in the zoo D. A person unnamed

22. In 1915, Ezra Pound began writing his great work_______, which spanned from 1917 to 1959.

A. Cantos B. Collected Early Poems of Ezra Pound C. Personae D. Hygh Selwyn Mauberley

23. Most of the writers in the Modern Period were able to probe into the inner world of human reality on the base of .

A. William James’s “stream of consciousness

B. Carl Jung’s “collective unconscious” and “archetypal symbol” C. Sigmund Freud’s “interpretation of dreams” D. All the above

24. Eugene O’Neill’s The Hairy Ape explores the problem of________. A. human disillusionment B. the corruption of human desire C. human responsibility D. the loss of human identity

25. _____ was the only American writer ever to win three National Book Awards, the Pulitzer Prize, and the Nobel Prize.

A. Hemingway B. Faulkner C. Bellow D. Mailer

26. _____ is the first American to incorporate the great nineteenth-century European realists in his work.

A. Hemingway B. Bellow C. Faulkner D. Twain 27. _____ is Saul Bellow’s first novel that makes him famous.

A. Dangling Man B. The Adventures of Augie March C. Herzog D. Henderson the Rain King

28. As representative of the ______American writers, Bellow’s works became central to American literature after World War II.

A. Jewish B. Russian C. Canadian D. Israeli

29. In 1965 Mr. Bellow was awarded the International Literary Prize for _____ becoming the first American to receive the prize. A. Henderson the Rain King B. Herzog

C. Mr. Sammler's Planet D. Humboldt's Gift

30. The characters in Bellow’s novels are mainly _____ people.

A. Black B. White C. Jewish D. European

31. The Adventures of Augie March and Henderson the Rain King alike are both

______ in a free-flowing writing style.

A. essays B. short stories C. novellas D. picaresque novels 32. At the age of 85, Bellow published his last novel entitled _______. A. Ravelstein B. The Victim

C. The Dean's December D. More Die of Heartbreak

33. Norman Kingsley Mailer is a major figure in post-war American literature and generally considered the representative author, but not______, of recent decades. A. essayist B. novelist C. film producer D. lecturer

34. _____ is well known for his new journalism and mastery of the nonfiction novel.

A. Hemingway B. Faulkner C. Bellow D. Mailer 35. _____ is Norman Mailer’s first novel that makes him famous. A. The Naked and the Dead B. The Armies of the Night C. Advertisements for Myself D. The Executioner's Song 36. ―The White Negro‖ is written by _____.

A. Hemingway B. Faulkner C. Bellow D. Mailer

37. ―The White Negro‖ is regarded as one of the significant cultural documents of the period, and this essay attempts to trace the source of the \"destructive, the liberating, the creative nihilism of the _____\" to African American experience, defining how the \"psychic outlaw\" opposes social and political repression. A. Naked B. Dead C. Hip D. Square

38. Norman Mailer is one of the most famous and controversial post-World War II American writers. His An American Dream has drawn the attack from _____. A. feminists B. historians C. politicians D. critics 39. The following books are novel biographies except _______.

A. Marilyn B. Portrait of Picasso as a Young Man C. Tough Guys Don't Dance D. Oswald's Tale

40. At the age of 84, Norman Mailer published his most recent novel entitled

_______.

A. The Castle in the Forest B. Miami and the Siege of Chicago C. Of a Fire on the Moon D. The Executioner's Song

41. _____, the ―Poet Laureate of black America‖, was inspired by the rhythm and romance of jazz in 1920s New York, and introduced the language of jazz into his poems and changed the sound of modern poetry. A. James Baldwin B. Richard Wright C. Gwendolyn Brooks D. Langston Hughes

42. Baldwin’s first novel __________, published in 1953, was an autobiographical work about growing up in Harlem. The passion and depth with which he described the struggles of black Americans was unlike anything that had been written. A. Going to Meet the Man B. Tell Me How Long the Train's Been Gone C. Go Tell It on The Mountain D. The Fire Next Time

43. Wright’s story ________ was given the O. Henry Memorial award in 1938.

A. Uncle Tom's Children B. Fire and Cloud C. Black Boy D. Native Son

44. Warren's depiction of the natural world, __________, is quite striking.

A. The Hawk B. Infant Boy at Midcentury C. The lady D. The leaf 45. Capote seized on the grisly story and went down to Kansas to turn it into a book.

He spent six years researching ______ and claimed to have invented a genre, the nonfiction novel.

A. To Kill a Mockingbird B. The New York Times C. The Grass Harp D. In Cold Blood 46. _____ is known as both a Southern and a Catholic writer.

A. Warren B. Capote C. O’connor D. Faulkner 47. The story Gimpel the Fool was written by .

A. Bernad Malamud B. Philip Roth C. Saul Bellow

D. Isaac Bashevis Singer

48. Gimpel got married with Elka because . A. he was forced to B. he was fooled to C. he was laughed at D. he was an orphan

49. When Gimpel felt puzzled and went to the rabbi for help, the rabbi told him . A. that townspeople’s kidding was well meaning

B. that everything was possible, as it was written in the Wisdom of the Fathers C. that it was better to be a fool all your days than for one hour to be evil D. believing was better puzzling

50. What did the Spirit of Evil ask Gimpel to do in his dream? A. He asked Gimpel to revenge.

B. He asked Gimpel to meet his wife Elka .

C. He asked Gimpel to take care of Elka’s children. D. He asked Gimpel to give him kreplach.

51. Finally Jimpel dug a big hole and buried all the filthy loaves just before the eye of his apprentice, this shows that . A. he didn’t want to make money any longer

B. he just did something as the Spirit of Evel told him C. he was afraid of his apprentice D. good overwhelmed evils

52. Samuel’ parents lives in a village named . A. Warsaw B. Zakroczym C. Lentshin D. Nowy Dwor

53. Samuel’s parents put the gold coins that Samuel sends them in a boot at the home,

because . A. there is no bank at Lentshin B. there is no thieves at Lentshine

C. the boot is very safe place D. all of the above

. In summer and winter Samuel’s father wore all of the following except . A. a sheepskin hat B. a pair of gloves C. a padded cotton jacket D. a pair of stout boots 55. Everyday Use is selected from .

A. The Third Life of Grange Copeland

B. You Can't Keep a Good Woman Down: Stories C. In Love & Trouble: Stories of Black Women D. The Color Purple

56. Mother wants to pass on the quilts to as dowry. A. Dee B. Maggie C. Hakim-a-barber D. None of them 57. Which of the following helps Alice Walker win the Pulitzer Prize? A. The Third Life of Grange Copeland

B. You Can't Keep a Good Woman Down: Stories C. In Love & Trouble: Stories of Black Women D. The Color Purple

58. All the following objects have a special meaning to Mother, except . A. the dowry B. the butter churn C. the dasher D. the quilts 59. Plath won Pulitzer Prize and became well-known .

A. when Ted Hughes published her Poems Collection after her death B. when she studied at Cambridge University

C. just two weeks after the publication of The Bell Jar D. when she was at Smith College

60. Which of the following is not Salinger’s works? A. Hapworth 16, 1924 B. Nine Stories

C. The Red Badge of Courage D. Franny and Zooey

61. Where does the title of the novel ―Catcher in the Rye‖ come from?

A. It is the title of Holden's favorite song. B. It is a reference to Greek mythology.

C. It refers to a game that Holden and Allie would play. D. It comes from a poem by Robert Burns. 62. What or who is the ―Catcher in the Rye‖? A. Holden’s dream job B. Phoebe’s favorite stuffed animal

C. An old college buddy of Holden’s father D. A symbolically important drinking glass

63. Which of the following things does Holden NOT like? A. Allie Caulfield B. James Castle

C. The nuns at Grand Central

D. Hemingway's A Farewell to Arms

. is the spokesman of the Jazz Age.

A. F. Scott Fitzgerald B. William Faulkner

C. Theodore Dreiser D. Robert Frost

65. When was The Great Gatsby published?

A. 1921 B. 1925 C. 1922 D. 1923

II. Read the following statements and decide whether they are true or false. Write a “T” for true and “F” for false.

1. O’Neill is always remembered for his tragic view of life and most of his plays deal with the basic issues of human existence and predicament：life and death，illusion and disillusion，alienation and communication，dream and reality，self and society，desire and frustration. ( ) 2. The Iceman Cometh （l946） proves to be a masterpiece of Eugene O’Neill in the way it is a complex，ironic，deeply moving exploration of human existence， written out of a profound insight into human nature and constructed with tremendous skill and logic. ( )

3. O’Neill borrowed freely from the traditions of European dramas，such as Greek tragedies，the realism of Ibsen， the expressionism of Stringberg，but not Shakespeare. ( )

4. Chinese playwright Cao Yu has also been greatly influenced by O’Neill in his drama creation. ( )

5. O’Neill introduced the realistic or even the naturalistic aspect of life into the American theater, and he hated to use modern literary techniques. ( )

6. The poem In a Station of the Metro compares human faces to petals on a wet, black bough. This way of making poetry comes from Chinese poetics. ( ) 7. Pound composed poems，wrote criticisms and did translations. ( )

8. Pound’s poetry is saturated with the familiar poetic subjects that characterize the 19th century Romanticism. ( )

9. In The Cantos，Pound traces the rise and fall of eastern and western empires，the moral and social chaos of the modern world，especially the corruption of America after the heroic time of Jefferson. ( )

10. The primary Imagist objective is to avoid rhetoric and moralizing， to stick closely to the object or experience being described， and to move from explicit generalization. ( )

11. Pound associated with many writers, including William Butler Yeats, T.S. Eliot, William Carlos Williams and Earnest Hemingway, and he served as a teacher for them. ( )

12. Pound’s life-work was The Cantos, which he wrote and published until his death. 13. Saul Bellow was a novelist, and only wrote novels. ( )

14. What distinguishes Bellow from his William Faulkner and Ernest Hemingway is Bellow’s international character of fiction. ( )

15. Most of Bellow’s novels describe the life of modern country men. ( )

16. In January 1968 Canada awarded Bellow the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by that nation to non-citizens. ( ) 17. Saul Bellow is best known for writing novels that typically deal with large philosophical issues: the search for meaning, the conflicts between moral

uncertainty and the quest for a personal ethic, and the tensions between the imaginative individual and a sometimes indifferent, sometimes entangling world. ( )

18. Norman Mailer published his first novel The Naked and the Dead (1948) when he was 25. ( )

19. Mailer began a second career in the mid-1950s as film producer and director. ( ) 20. Advertisements for Myself (1959) is a collection of Mailer’s essays, stories, interviews and short fictions on the subjects of politics, sex, drugs, his own writing, and the works of others. ( )

21. During an anti-Vietnam march, Mailer was arrested. ( ) 22. Norman Mailer has never published any poems. ( )

23. The major themes of Joseph Heller’s works are usually about the absurdity of the world, and the criticism of conventional social life. ( )

24. His prolific literary career was launched in 1926 with a volume of jazz poems, I Wonder as I Wander, written for performance with musical accompaniment in the famous Harlem clubs of the era. ( )

25. In 19 Baldmin’s play Blues for Mister Charlie was based on the murder of a young black man in Mississippi, was produced by the Actors Studio in New York. ( )

26. Wright’s autobiography Native Son is a harrowing account of his Southern childhood. ( )

27. Warren's great concern with the historical vision and the meanings found in memory and the past are distinctly southern. ( )

28. Capote's early stories were published in popular magazines and in 1946 he won the O.Henry award. ( )

29. With an keen eye for the dark side of human nature, an amazing ear for dialogue, and a necessary sense of irony, Flannery O'Conner exposes the underside of life in the rural south of the United States. ( )

30. Gimpel shares many of the nicknames he has had given to him in school, including ―imbecile, donkey, flax-head, dope, flump, ninny, and fool.‖ ( )

31. Gimpel’s leaving Frampol shows that he wants to get away and he is no longer a fool that can be taken advantage of at will. ( ) 32. Elka represents an immoral but not a sinner. ( )

33. It is Gimpel, the saint-like figure that saves Elka’s soul by being understanding, patient, and continually loving towards her. ( )

34. Every month Samuel sends a letter and money to his parents from America, and they just keep the money in the bank. ( ) 35. It is forbidden to smoke on Sabbath. ( )

36. Samuel is very wealthy when he returns his hometown. ( )

37. Many young people remain at lentshin, like the old generation, they observe the Jewish tradition and prefer the way of life there. ( )

38. In her poem Daddy Plath just depicts her Daddy a Fascist, from it we can see that she is awed her father. ( )

39. Her Daddy is a Fascist because he persecutes Jewish people. ( )

40. The relationship between mother and Dee is very harmonious. ( )

III. For each of the quotations listed below please give the name of the author and the title of the literary works from which it is taken

1. YANK—[In a vague mocking tone.] Say, where do I go from here?

POLICEMAN—[Giving him a push--with a grin, indifferently.] Go to hell.

2. Edmund — Then Nietzsche must be right. ―God is dead: of His pity for man hath God died.‖

3. And round about there is a rabble

Of the filthy, study, unkillable infants of the very poor. They shall inherit the earth.

4. Then he described how he had bought an old hospital building at auction and turned it into a tenement. Inside of six months he had cleared fifty thousand bucks on this, and then had organized a management company and run the place for the new owners. He had a large interest in a Spanish cobalt mine now. They sold the stuff in Turkey, or some place in the Middle East. He also had a potato-chip concession in several railroad stations.

5. He wanted me to know what his life was like. And maybe he though I’d run into something that would appeal to me, for my future’s sake. ―Wait a minute though,‖ he said. ―What kind of clown’s suit are you wearing there? You can’t go among people dressed like that.‖

6. One is Hip or one is Square (the alternative which each new generation coming into American life is beginning to feel), one is a rebel or one conforms, one is a frontiersman in the Wild West of American night life, or else a Square cell, trapped in the totalitarian tissues of American society, doomed willynilly to conform if one is to succeed.

7. The novelist gave a fulsome welcome to the poet. He did not speak of his poetry (with which he was not conspicuously familiar) nor of his prose which he thought excellent—Mailer told instead of why he had respect for Lowell as a man.

8. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to.

9. After I had outlived the shocks of childhood, after the habit of reflection had been born in me, I used to mull over the strange absence of real kindness in Negroes, how unstable was our tenderness, how lacking in genuine passion we were, how void of great hope, how timid our joy, how bare our traditions, how hollow our memories how lacking we were in those intangible sentiments that bind man to man, and how shallow was even our despair. 10. Droning a drowsy syncopated tune,

Rocking back and forth to a mellow croon, I heard a Negro play.

Down on Lenox Avenue the other night

By the pale dull pallor of an old gas light He did a lazy sway . . . He did a lazy sway . . .

To the tune o' those Weary Blues.

11. Then it was over. Creole and Sonny let out their breath, both soaking wet, and grinning. There was a lot of applause and some of it was real. In the dark, the girl came by and I asked her to take drinks to the bandstand. There was a long pause, while they talked up there in the indigo light and after a while I saw the girl put a Scotch and milk on top of the piano for Sonny. He didn’t seem to notice it, but just before they started playing again he sipped from it and looked toward me, and nodded. Then he put it back on top of the piano. For me, then, as they began to play again, it glowed and shook above my brother’s head like the very cup of trembling.

12. Here the fig lets down the leaf, the leaf Of the fig five fingers has, the fingers Are broad, spatulate, stupid,

Ill-formed, and innocent—but of a hand, and the hand, To hide me from the blaze of the wide world, drops, Shamefast, down.

13. I know what is being said about me and you can take my side or theirs, that's your own business. It's my word against Eunice's and Olivia-Ann's, and it should be plain enough to anyone with two good eyes which one of us has their wits about them. I just want the citizens of the U.S.A to know the facts, that's all.

14. ―Why you’re one of my babies. You’re one of my own children!‖ She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses and began to clean them.

15. I was coming home from school and heard a dog barking. I'm not afraid of dogs, but of course

I never want to start up with them. One of them may be mad, and if he bites there's not a Tartar in the world who can help you. So I made tracks. Then I looked around and saw the whole market place wild with laughter. It was no dog at all but Wolf-Leib the thief. How was I supposed to know it was he? It sounded like a howling bitch.

16. To make a long story short, I lived twenty years with my wife. She bore me six children, four daughters and two sons. All kinds of things happened, but I neither saw nor heard. I believed, and that's all. The rabbi recently said to me, ―Belief in itself is beneficial. It is written that a good man lived by his faith.‖

17. No doubt the world is entirely an imaginary world, but it is only once removed from the true

world. At the door of the hotel where I lie, there stands the plank on which the dead are taken away. The gravedigger Jew has his spade ready. The grave waits and the worms are hungry; the shrouds are prepared - I carry them in my beggar's sack. Another snorer is waiting to inherit my bed of straw. When the time comes I will go joyfully. Whatever may be there, it will be real, without complication, without ridicule, without deception. God be praised: there even Gimpel cannot be deceived.

18. In the smallest of these huts lived old Berl, a man in his eighties, and his wife,

who was called Berlcha(wife of Berl). Old Berl was one of the Jews who had been driven from their villages in Russia and had settled in Poland. In Lentshin, they mocked the mistakes he made while praying aloud. He spoke with sharp ―r‖. He was short, broad-shouldered, and had a small white beard, and summer and winter he wore a sheepskin hat, a padded cotton jacket, and stout boots. He walked slowly, shuffling his feet. He had a half acre of field, a cow, a goat, and chickens.

19. One Friday morning, when Berlcha was kneading the dough for the Sabbath loaves, the door

opened and a nobleman entered. He was so tall that he had to bend down to get through the door. He wore a beaver hat and a clock bordered with fur. He was followed by Chazkel, the coachman from Zakroczym, who carried two leather valises with brass locks. In astonishment Berlcha raised her eyes.

20. The neighbors had heard the good news that Berl’s son had arrived from America and they came to greet him. The woman began to help Berlcha prepare for the Sabbath. Some laughed, some cried. The room was full of people, as at a wedding. They asked Berl’s son, ―What is new in America?‖ And Berl’s son answered, ―America is all right.‖

21. He had one of those rare smiles with a quality of eternal reassurance in it, that you may come

across four or five times in life. It faced, or seemed to face, the whole external world for an instant and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself.

22. The woods are lovely, dark and deep,

But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

23. As soon as I arrived I made an attempt to find my host, but the two or three people of whom I

asked his whereabouts stared at me in such an amazed way, and denied so vehemently any knowledge of his movements, that I slunk off in the direction of the cocktail table—the only place in the garden where a single man could linger without looking purposeless and alone. 24. When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant – a combined gardener and cook – had seen in at least ten years.

25. I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan’s party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: ―You promised!‖ into his ear.

Key to Chapter 7- 8 练习答案

I． Each of the statements below is followed by four alternative answers. Choose the one that would best complete the statement and put the letter in the brackets.

1 A 2 D 3 D 4 D 5 B 6 B 7 C 8 D 9 A 10 D 11 D 12 B 13 D 14 D 15 A 16 D 17 B 18 A 19 A 20 B 21 B 22 A

23 D 24 D 25 C 26 B 27 B 28 A 29 B 30 C 31 D 32 A 33 D 34 D 35 A 36 D 37 C 38 A 39 C 40 A 41 D 42 C 43 B 44 A 45 D 46 C 47 D 48 B 49 C 50 A 51 D 52 C 53 D

B 55 C 56 B 57 D 58 A 59 A 60 C 61 D 62 A 63 D A 65 B

II. Read the following statements and decide whether they are true or false. Write a “T” for true and “F” for false.

1 T 2 T 3 F 4 T 5 F 6 T 7 T 8 F 9 T 10 T

11 F 12 T 13 F 14 T 15 F 16 F 17 T 18 T 19 F 20 T 21 T 22F 23 T 24 F 25 T 26 F 27 T 28 F 29 T 30 T 31 T 32 F 33 T 34 F 35 T 36 T 37F 38 T 39 F 40 F

III. For each of the quotations listed below please give the name of the author and the title of the literary works from which it is taken. 1 Eugene O’Neill’s The Hairy Ape

2 Eugene O’Neill’s Long Day’s Journey into the Night 3 from Ezra Pound’s The Garden

4 Saul Bellow’s The Adventures of Augie March 5 Saul Bellow’s The Adventures of Augie March 6 Norman Mailer’s ―The White Negro‖ 7 Norman Mailer’s The Armies of the Night 8 Joseph Heller’s Catch-22 9 Richard Wright’s Black Boy

10 Langston Hughes’s The Weary Blues 11 Baldwin’s Sonny’s Blues 12 Warren’s The Leaf

13 Capote’s My Side of the Matter

14 O’connor’s A Good Man Is Hard to Find 15 Singer’s Gimpel the Fool 16 Singer’s Gimpel the Fool 17 Singer’s Gimpel the Fool

18 Singer’s The Son From America 19 Singer’s The Son From America 20 Singer’s The Son From America

21 F. Scott Fitzgerald’s The Great Gatsby

22. Frost’s Stopping by Woods on a Snowy Evening 23. F. Scott Fitzgerald’s The Great Gatsby

24. Faulkner’s A Rose for Emily

25. F. Scott Fitzgerald’s The Great Gatsby